Cuesta Arriba
Tango Club
Cuesta Abajo, Cuesta Arriba
One of the themes of tango lyrics has been the idea of being dragged downwards by life:
cuesta abajo
(downwards) in Gardel's famous song,
or more forcefully, bajofondo
: down to the bottom,
a word instantly identified firstly with the famous lyric of Catulo Castillo, La última curda
(the final binge),
and now with the Bajofondo Tango Club
Now it's true that there's good stuff buried down in the mud, but this isn't an aspect brought out by tango lyrics!
So instead we've decided to call our club cuesta arriba
- upwards.
And there's a tango lyric with this title as well.
skip to this month's selections
Welcome to our Tango Music Club!
Nothing improves your dancing so much as a good feeling for the special qualities of tango music. The idea of the club is to help you build a library of good tango music, tailored to your own tastes. For a fixed monthly subscription, the price of one of our cheaper tango CDs, you get:
- a tango cd every month delivered to your door - take our recommendation, or choose one of the alternatives
- Free postage on your club order
- Free postage on any other CDs you buy from us (within the UK)
- preference for low stock or deleted items
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This month's cds (January 2009):
This month we bring you the first complete reissue of the recordings of Salgán's historic 1950 orchestra
Horacio Salgán en RCA Victor vol.1 (1950-1951)
BMG 740058
AT LAST! A serious re-issue of Salgán's incredibly innovative 1950 orchestra.
This album opens with Horacio Salgán's first two recordings with his orchestra, issued on a single 78rpm disc: Recuedo of Osvaldo Pugliese, complemented by La clavada. The version of Recuedo is Salgan's inaugural declaration of his art, of his orchestral genius and the marvellous effect he produces of superimposed layers.
Track list
- Recuerdo
- La clavada
- Mi refugio
- Como abrazo a un rencor
- Mala junta
- Motivo de vals vals
- Gallo ciego
- Don Agustín Bardi
- Sueño querido
- Las mirlas vals
- Tierra querida
- Shusheta
- Pobre colombina
- Vieja recova
- Ojos negros
- La tabalda
Cantan:
Angel Diaz (4,10,14)
Horacio Deval (9,13)
El rey del compás
ECD 1100
Some years ago I cheekily remarked that you can divide D'Arienzo's recordings into even and odd numbered decades. Thirties, fifties, seventies: good Twenties, fourties, sixties: bad. Like any rule-of-thumb, it's not entirely accurate, and this one is less accurate than most. However it has a nugget of truth: after D'Arienzo's revival in 1950, he fell into a lull in the late 50s which lasted a decade. Perhaps it was the arrival of the stereo era which re-invigorated him. When they came to record their first tango stereo LP, RCA-Victor offered if to D'Arienzo, not to Troilo. The result was the seminal instrumental lp D'Arienzo for export, the first of three albums which remain sporadically in print on CD - we still sell them.
D'Arienzo's style has not remained static. The most obvious innovation is the use of sudden stops half way through a track, as for instance on Gran Hotel Victoria - curiously, the first tango he ever recorded back in 1935.
The best stereo versions from this period are gathered together on this fantastic cd which includes the tango milonga Papas calientes and the wonderful Este es el rey. Ignore the fact that the cover photo is printed back to front, this is a marvellous cd. Released as an lp in 1982 and then on cd in 1993, it's been in print ever since.
Track list
- La cumparsita (1971)
- Quejas de bandoneón
- Don Juan (1951)
- La puñalada (1962) milonga
- Que noche! (1967)
- El chamuyo (1965)
- El arroyito
- El opio
- Gran Hotel Victoria (1966)
- C.T.V.
- Nueve de julio (1966)
- Papas calientes tango-milonga
- La chiflada
- El pollito
- El buey solo
- Este es el rey
Horacio Salgán en RCA Victor vol.2 (1952-1953)
BMG 740059
The second volume of the new Salgán re-issue, covering the next and final two years, is less exciting than the first but still has some great tracks. We offer it here because we know many of you will want both!
Track list
- Yo te bendigo
- N.P.
- Ilusión de mi vida vals
- La llamo silbando
- Los mareados
- Alma de loca
- Boedo
- Una carta
- Yo soy el mismo
- Del 1 al 5
- Sentimental y canyengue
- Un momento vals
- Siga el corso
- Doble castigo
- El Marne
- Don Goyo
Cantan:
Horacio Deval (1)
Angel Díaz (2,8,14)
Roberto Goyeneche (6,9,12,13)
Archivo Odeón - Raúl Garello
EU 19001
I can never quite decide whether I like Rául Garello. One of the new generation of artists arriving in tango only at the very end of the Golden Age, like Salgán, he was not immersed in the dance culture of his forebears in quite the same way. His music reminds me of Mariano Mores: playful, joyful and inventive, with a keen and educated sense of orchestration. He is a brilliant arranger - but he and I differ in where we draw the line between brilliance and what is a little bit too much. So often in a Garello arrangement, the first minute is simply stunning, but then I feel that he just overeggs the pudding. If you like rich arrangements, this is for you, but traditionalists will find it just - just - a little bit too much.
Only two available
Track list
- Homenaje a Troilo
- A media luz
- Arrabal amargo
- Alma en pena
- Bandoneón arrabalero
- Tiempo imaginado
- Canaro en París
- Negracha
- Buen amigo
- Azabache
- Ojos negros
- Malandraca
- Ropa blanca
- La última cita
- Milonguita
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